Photographer : Sylvie Rosokoff
”Eric" seems like a thrilling series with a captivating storyline. Can you share with us what drew you to the role of Raya and how you prepared for such a complex character?
When I first read the sides for ERIC, I was compelled by Abi Morgan’s words and world. As projects go on, they develop over time and there are character evolvements that take place. I was attracted to Raya because she was a more dangerous character than I am used to playing, and getting to dive head first into her was fascinating and fun. I watched the documentary Dark Days as well as a few others about the crack cocaine epidemic in the United States to further understand the world and reasoning as to why Raya has ended up where she has.
Raya is described as street smart but also struggling with addiction. How did you approach portraying the nuances of addiction and the challenges Raya faces in the series?
It was important to me in portraying someone with severe substance abuse facing living underground in Manhattan to make sure my performance was as real and serious as possible; as serious as those aforementioned issues are. Production was extremely generous and provided addiction specialists who have worked first hand with people who went through or are going through the same problems as Raya, and meeting with them was invaluable. I needed my performance to come from an authentic, desperate place and did as much research as possible. Once I got into wardrobe, hair, and makeup - it was easy for me to immerse myself. I also had incredible support on and off set if there was ever a moment where something got too overwhelming.
The setting of "Eric" in 80's New York adds a unique atmosphere to the story. How did you and the cast immerse yourselves in that time period to bring authenticity to the series?
Each and every department did a beyond outstanding job in creating 1980’s Manhattan in every way possible. The locations, props, and sets were immaculately designed, costumes created the perfect wardrobe, the hair and makeup department transformed each and every one of us to look perfect for our roles - it really was the work of an entire village. Once we subjectively have done our own character study, it wasn’t difficult to imagine ourselves back then. The references were outstanding.
Working alongside talents like Benedict Cumberbatch and Gaby Hoffman must have been an incredible experience. What was it like collaborating with such esteemed actors, and did you learn anything new from the experience?
This was an absolute dream come true of a cast to work with. While my world of shooting may be a bit different than others (you’re going to have to watch!), I was able to sit on set as Alexis for certain scenes that didn’t involve my character - and watching my colleagues work was a never ending masterclass. Even my colleagues behind the camera as well, there was never a moment of not taking in true professionals do what they do the best, and love it. I have nothing but admiration for everyone involved.
The setting of "Eric" in 80's New York adds a unique atmosphere to the story. How did you and the cast immerse yourselves in that time period to bring authenticity to the series?
Each and every department did a beyond outstanding job in creating 1980’s Manhattan in every way possible. The locations, props, and sets were immaculately designed, costumes created the perfect wardrobe, the hair and makeup department transformed each and every one of us to look perfect for our roles - it really was the work of an entire village. Once we subjectively have done our own character study, it wasn’t difficult to imagine ourselves back then. The references were outstanding.
Working alongside talents like Benedict Cumberbatch and Gaby Hoffman must have been an incredible experience. What was it like collaborating with such esteemed actors, and did you learn anything new from the experience?
This was an absolute dream come true of a cast to work with. While my world of shooting may be a bit different than others (you’re going to have to watch!), I was able to sit on set as Alexis for certain scenes that didn’t involve my character - and watching my colleagues work was a never ending masterclass. Even my colleagues behind the camera as well, there was never a moment of not taking in true professionals do what they do the best, and love it. I have nothing but admiration for everyone involved.
The series is inspired by a true story, which adds an extra layer of depth to the narrative. How did you balance staying true to the real events while also bringing your own interpretation to the character of Raya?
Since Raya can be street smart, there is an air to her that is only looking out for herself which comes out of a need for survival. It was very easy to balance, because I wanted to be focused on Raya as much as Raya is focused on getting what she wants.
Your character Raya is willing to take risks and stop at nothing to achieve her goals. Can you share any memorable moments or challenges you faced while portraying her on screen?
I can’t share anything plot wise, but playing Raya did involve a lot of physical activity. Since she lives in the subway tunnels, I had to do a lot of climbing, running, lifting, and even some stunt work. I am a very physical person and teach pilates when I am not working on a project - so it was very apt in my character to be up for the challenge, but it was indeed challenging at times.
“Again, I had the best support around me at all times to make sure that I always felt safe and comfortable. ”
Beyond acting, you've also produced and starred in your own short horror film, "BOYHOARDER." What inspired you to venture into producing, and how does it compare to your experiences as an actor?
I have always wanted to delve in the world of creating something of my own. I say that lightly as it takes collaborations of all kind to make a project truly come to life, but I wanted a sense of autonomy.
Producing is very fun, but also comes with its own set of difficulties. At the end of the day, there is an immense responsibility that comes with being in that position and you have to be prepared to deal with any potential roadblock at a moments notice. It wasn’t hard to wear two hats at the same time - but being that this was a short film on a very small budget, I would love to do it again with more time and resources available.
What can audiences expect from "Eric," and what do you hope viewers take away from the series after watching it?
Audiences can expect a lot of twist, turns, and heart within ERIC. I hope that while viewers have fun and feel enthralled with the story - it is a story about family and connection, and I hope that bonds can be strengthened and examined after watching. And also maybe don’t let your kids walk to school alone!